May 28

Head of Lighting -Jobs:-

  • Deciding on the equipment that we will use
  • Making sure that the people controlling the lights (probably me and fudgesalad) are doing the right things at the right time.
  • Working closely with the director on the script and where the actors are to maximise the usefulness of the lighting.
  • Deciding where the cameras should be, as well as the general equipment used in the scene.

Requirements:-

  • Some technical experience
  • Basic knowledge of what the director intends for the mood to be and of what each scene is supposed to do.

What Should the Light Director try to do?

  • Keep the light level up, but not too high, because cameras will make the white reflect and blind the audience if it’s too high and it will make the image grainy if it’s too low.
  • Create some small shadows to give the actors depth, without making huge shadows that take chuncks out of the actor’s faces and ruin the clip.

How Should we Light the Scenes?

  • It’s hard to say as the script has not yet been finalised (we don’t know where we’re filming), but we will probably be using a lot of light from the stuff that’s already in the room (lamps, for example).
  • Reflectors: Tinfoil on cardboard sheets. We can use the reflecty side to make the light be mostly reflected or we can use the dimmer side tomake the scene dim mer and more moody.

For full effect, we will probably be using this lighting set-up for most of the brighter scenes:

… And a similar setup without one or two of these lights for the torture scenes. This is so that we can either create or remove shadows in any given scene.

The subject must not stand in front of a white wall or a window. This would alter the exposure on the cameras and ruin the scene.

If we have to light a scene at night, we can do so easily by either waiting until the light is almost gone but still there and film or we can use a blue filter in front of the camera, while lowering the exposure. This is a useful technique because nobody wants to wait around at school until it’s dark to film, especially because it’s summer and it gets dark at 10:00.

For a fire effect, we can use an orange filter to cover a light, pointing it at a reflector. We then wobble the reflector and it creates a decent fire effect. We may use this for the torture scenes.

Director of Audiography (The Sound Guy). What I Do:-

  • Responsible for the audio in a movie
  • Select sound recordings for final movie
  • Dialogue+effects
  • Dialogue Editing
  • “Taking the existing sonic world and fixing it.”
  • Take the audio and make it smoother, more audible, more understandable, and less likely to detect audio transitions.
  • Effects Editing
  • “Creating the sonic world from scratch”
  • Adding together various elements to create believable sound effects (echos, pitch, etc.)

How will this be Done?

  • This can be done using any of several D.A.W’s.
  • Voiceovers
  • Acting with a voice
  • What Should I do as Practice?
  • Study and record commercials, etc. and compare my voice to the voices of the people doing the commercials.

Exercises?

Yes, there are exercises that improve the quality of your voice. You people will be doing these exercises for some of the voice-overs that the actors may have to do. Study up now, maybe? Click HERE, HERE, HERE, HERE, HERE, or HERE to get to the same website and learn about the exercises

Music Stuff

If we add songs to the piece, which we will, we will probably take music off of YouTube due to shortage of time. It will have to fit the scene, but other than that there isn’t much to say about it

Yes, this post tells you how to do just a handfull of all of the jobs given me by our wise director.

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